Cruella: Complaint from Emma Stone brought the film to theaters

Cruella: Complaint from Emma Stone brought the film to theaters

Cruella

At the end of May, Cruella was released with Emma Stone in theaters and on Disney + for all subscribers with VIP access. According to a report, Disney actually no longer wanted to bring the film to theaters after the pandemic continued to cause closed theaters around the world. An objection from Emma Stone, who can be seen in the lead role as Cruella de Vil, and director Craig Gillespie finally forced Disney to change plans Not only promised a theatrical release, but also a profit sharing - depending on the success of the film at the box office. If you had decided on a sole release at Disney +, those responsible would have had to buy Emma Stone, Craig Gillespie and other people out of their contract. Disney gave in and released Cruella in cinemas at the same time.

The film grossed over 221 million US dollars worldwide. According to experts, the profit sharing for those involved is much smaller. How much money you have earned through VIP access at Disney + has not yet been revealed. Emma Stone reportedly received an upfront payment of $ 8 million for her lead role. For the sequel, which was recently confirmed, the Oscar winner now apparently receives a double-digit million amount in the low range.

The situation is reminiscent of the disputes between Scarlett Johansson and Disney, which are currently being waged over Black Widow. Because the release of the MCU movie was not contractually regulated at Disney +, the actress is demanding a share of the profits made by completing the VIP access.

Source: The Hollywood Reporter




Behind Emma Stone’s ‘Cruella’ Sequel Deal With Disney

The actress scored a low eight-figure payday for the follow-up film, an increase from the $8 million the star was paid for the first live-action feature.

Emma Stone in Disney's 'Cruella.' Everett

On Aug. 13, one day after Disney CEO Bob Chapek deflected criticism over a profits lawsuit from Black Widow star Scarlett Johansson by telling investors that “by and large” talent deals had gone “very smoothly,” the executive locked in another franchise star for a sequel.


Sources tell The Hollywood Reporter that Emma Stone scored a low eight-figure payday for the sequel to Cruella, which was released May 28 both in theaters and Disney+ via Premier Access for $30.


One big unknown: It’s unclear what the profit participation structure is for the sequel. Disney declined to comment. However, on Endeavor’s Aug. 16 earnings call, president Mark Shapiro referenced the Cruella 2 deal, adding that for its WME division clients like Stone, “we are getting the front end for our clients for movies and TV, like we always get, [and] increasingly, we are getting the backend bought out … the Netflix model.”


While Disney’s top brass avoided another contentious lawsuit — Johansson claims the studio sacrificed Black Widow box office in order to grow Disney+ subscriptions — backend and buyout payments will be an ongoing conflict with talent.


According to sources, Stone received an up-front fee in the $8 million range for the first Cruella, which marked a career high for the actress. The studio was high on the movie as it shot in 2019 but in 2020 — when the movie was in postproduction and the world in the throes of the pandemic — sources say Disney leaned toward releasing the movie only on Disney+, a scenario in which the studio would have been required to make buyout payments.


Stone and director Craig Gillespie pushed back against that idea, considering a big-screen release a matter of integrity, and the studio later changed strategies and decided to release the movie in theaters as well. Had Cruella moved to streaming only, a buyout deal would have been negotiated.


But the hybrid release from Disney left the actress, and any others involved with backend bonus deals, at a disadvantage. Any streaming opening could impact theatrical box office, meaning bonus benchmarks — which usually begin around the $500 million threshold, depending on the deal — may not be hit. (Both Stone and the movie’s players were under contracts for a film made for a theatrical distribution.)


And when Cruella opened, it was not an obvious contender for a sequel, at least not judging by traditional box office numbers alone. The movie has generated only $221 million worldwide, $85.8 million of it domestically. And because the studio doesn’t release streaming numbers, that audience number is unknown.


But the movie became a hit with critics and getting Stone back became a top priority for the studio, which was wanting to show it was talent friendly and could compete with the likes of Netflix, according to a source.


The deal was made on the highest executive level with Disney Studios chairman Alan Bergman working the studio side while Endeavor executive chairman Patrick Whitesell ran point for the agency. In fact, one could say that the mantra of Disney’s new deal could be described as Cruella to be kind, in the right measure.


Even with Stone now on board, a sequel could be a ways away. Gillespie still needs to close his deal, and scribe Tony McNamara isn’t available to begin writing until early in the new year, sources say.


A version of this story first appeared in the Aug. 18 issue of The Hollywood Reporter magazine. Click here to subscribe.